| All I know about teacher Li | Zhuzmo |
| Código de barras. (The Only Bush I Trust is My Own) | Tina Escaja |
| On ®TMark, or, The Limits of Intellectual Property Hacktivism | Caren Irr |
| Communities - Signs, Actions, Codes | |
| Sherwood Rise - the Augmented Book | Dave Miller |
| Quing's Quest VII | Dietrich Squinkifer |
| off_course: Escuela del Caos | María GoicoecheaMark C. Marino |
| ELO: Theory, Practice, and Activism | Claire Donato |
| Special America: The Movie | Special America (Claire Donato and Jeff T. Johnson)Claire DonatoJeff T. Johnson |
| Ciberfeminismo: Teoría y práctica | Maya Zalbidea Paniagua |
| E-Literary Text in Nomadic Cockpit | Janez Strehovec |
| Google Will Eat Itself | UbermorgenAlessandro Ludovico |
| Digital Hijack | etoy |
| Amazon Noir: The Big Book Crime | Alessandro LudovicoPaolo CirioUbermorgen |
| The Transborder Immigrant Tool | Jason NajarroBrett StaulbaumMicha CárdenasRichard Dominguez |
| Code as Ritualized Poetry: The Tactics of the Transborder Immigrant Tool | Mark C. Marino |
| speculat1on.net | N. Katherine HaylesPatrick LeMieuxPatrick Jagoda |
| Digital Oracles | Martha Carrer Cruz Gabriel |
| Calling America | Mark Cooley |
| Sauti ya wakulima: "The Voice of the Farmers": The creation of a community memory through appropriated media | Eugenio Tisselli |
