| soundAFFECTs | Hazel SmithAnne BrewsterRoger Dean |
| Bodies of Information: Intersectional Feminism and Digital Humanities | |
| Reading Digits – Haptic Reading Processes in the Experience of Digital Literary Works | Diogo Marques |
| How to Avoid Being Paranoid | Melissa Gregg |
| Blind Hope: A Review of Gregg and Seigworth's The Affect Theory Reader | Julie Reiser |
| Narrative Affect in William Gillespie's Keyhole Factory and Morpheus: Biblionaut, or, Post-Digital Fiction for the Programming Era | Eric Dean Rasmussen |
| Toward Understanding Real-World Social Impacts of Avatars | D. Fox HarrellDominic KaoChong-U Lim |
| Narrative, Affect and Materialist Aesthetics in Post-Digital Technotexts | Eric Dean Rasmussen |
| Becoming Digital | J. R. Carpenter |
| Toward. Some. Air. | |
| Approaching the Real: Materiality in Digital Literature | Yra van Dijk |
| Parables for the Virtual: Movement, Affect, Sensation | Brian Massumi |
| Growing Intimate With Monsters: Shelley Jackson’s Patchwork Girl and the Gothic Nature of Hypertext | Christopher Keep |
| Making Sense: aspects of the literary in electronic environments | Maria AngelAnna Gibbs |
| Hors-Categorie: An Embodied, Affective Approach to Interactive Fiction | David Benin |
| Cicatrix: Pain, Sex, and Dying in E-Literature | Sandy BaldwinMaria DamonAlan Sondheim |
| Sound Rites: Relationships Between Words and Sound in New Media Writing | Hazel Smith |
| Office Diva | Josephine AnsteyDave Pape |
| Primal Affective Ground and Digital Poetry | David Jhave Johnston |
| Literal Art | John Cayley |
