| ‘Grasp All, Lose All’: Raising Awareness Through Loss of Grasp in Seemingly Functional Interfaces | Diogo Marques |
| Homenaje a Wlademir Dias-Pino: when a digital poem revisits an e-lit antecedent | Vinícius Carvalho Pereira |
| Zang Tumb Tumb | Filippo Tommaso Marinetti |
| The Visible Word: Experimental Typography and Modern Art, 1909-1923 | Johanna Drucker |
| Gdzie w tym wszystkim jest Bóg ? / Where is God in all of this? | Piotr MareckiJan K. Argasiński |
| A Poetry of Noesis | Tim Keane |
| Gaming: Essays on Algorithmic Culture | Alexander R. Galloway |
| Translating E-poetry: Still Avant-Garde | José Molina |
| What Comes After Electronic Literature? | Steven WingateLeonardo L. FloresMaya Zalbidea PaniaguaXiana SoteloAugustine AbilaMark SampleJosé MolinaDaria PetrovaNatalia FedorovaJudd MorrisseyJosé AburtoAndrew KlobucarDavid ClarkDamon Loren Baker |
| Kuryokhin: Second Life | Michael Kurtov |
| Glitch Aesthetics | Lori Emerson |
| Intervista a Carlo Cinato | Carlo Cinato |
| Out of Bounds: Searching Deviated Literature in Audiovisual Electronic Environments | Claudia Kozak |
| No War Machine | Stuart Moulthrop |
| Creative Practice and Experimental Method in Electronic Literature and Human Experimental Psychology | Andrew Michael RobertsLisa OttyMartin FischerAnna Katharina Schaffner |
| A Cross-Medial Close Reading of Swedish Digital Poetry | Mette-Marie Zacher Sørensen |
| UbuWeb, the archive and the gallery | Lawrence Giffin |
| Digital Poetry Beyond Avant-Garde Readings: Proposing a Digital Lyric | Holly Dupej |
| The Assimilation of Text by Image | David Jhave Johnston |
| After 391: Picabia's early multimedia experiments | Chris Joseph |
