| Quam Artem Exerceas? | Giuliano Franco |
| Mapping Place / Troubling Space | J. R. Carpenter |
| APPI Automatic Poetry by Pointed Information: Poëzie met een Computer | Gerrit Krol |
| Espacement de Lecture | Penny Florence |
| OK Texts | Mark Amerika |
| technocapitalism | |
| The Procedural Poetries of Joan Retallack | Brian Lennon |
| The Gathering Cloud (book) | J. R. Carpenter |
| Hyper and Deep Attention | N. Katherine Hayles |
| Notes Very Necessary | J. R. CarpenterBarbara Bridger |
| Kaos 3 - Action Poetique 129 130 | Pascal GressetJean-Pierre BalpeHenri DeluyÉtienne MineurMark SmithJean-Jacques MariageGil JouanardBassam MansourJasper |
| Mapping the Convergence of Networked Digital Literature and Net Art onto the Modes of Production | Kyle Bickoff |
| daddylabyrinth | Steven Wingate |
| The Reverberatory Narrative: Toward Story as a Multisensory Network | Dana Coester |
| The Montaigne Machine | Eric LeMay |
| X0y1 #ensayos sobre género y ciberespacio | Remedios Zafra |
| Writing | Tully Hansen |
| Kjærstad, hyperroman og hieroglyffer | Karen Wagner |
| Cia Rinnes Zaroum | Anders Lundberg |
| Pipe Bomb: Exploding Code in the Work of Rene Margritte and Jodi | Patrick LeMieux |
