| Neo-Baroque aesthetics and contemporary entertainment | Angela Ndalianis |
| How Voters Feel | Stephen Coleman |
| le partage de l'incertitude | Anonymes |
| Ally Farson | |
| Platform Collaboration, Creativity and Determinism in Virtual Reality (VR): An artist paper the making of The Key To Time, a work for VR, domes and CAVEs. | Roderick Coover |
| Karaoke | Ruth VerraesErik Lindner |
| Has Been Hero | David Alonzo |
| Bass Resonance | John Cayley |
| Interview with Christine Wilks | Christine Wilks |
| The Godfather Seen Through The Lens of Elite Criticism (and Vice Versa)Jp | Joseph Urgo |
| Late Shift | |
| “No Country for E-Lit?” – India and Electronic Literature | Souvik Mukherjee |
| Madame B | Mieke BalMichelle Williams Gamaker |
| Stuttgarter Filmwinter - Festival for Expanded Media | |
| SILT Exhibition | |
| 'Roda Lume' by E. M. de Melo e Castro | Álvaro Seiça |
| The Reverberatory Narrative: Toward Story as a Multisensory Network | Dana Coester |
| Poemfields 1-8 | Stan VanDerBeek |
| Archaeologies of Media and Film | |
| The Postulate to Hyperdescribe the World: Film Poems by Katarzyna Gie łż y ń ska | Piotr Marecki |
