| How We Think: Digital Media and Contemporary Technogenesis | N. Katherine Hayles | 1997 |
| Conclusion: Whither American Fiction? | Jessica Pressman | 2012 |
| “I think, therefore I connect”. Database, connessionismo ed esopoiesi nel romanzo anglo-americano (1995-2011) | Ugo Panzani | 2012 |
| Scripting Reading Motions: The Codex and the Computer as Self-Reflexive Machines | Manuel Portela | 2013 |
| Digital Modernism: Making it New in New Media | Jessica Pressman | 2014 |
| Narrative Affect in William Gillespie's Keyhole Factory and Morpheus: Biblionaut, or, Post-Digital Fiction for the Programming Era | Eric Dean Rasmussen | 2016 |
| The Endgame or a Wake?: Tropes of Circularity in Literature Then and Now | Diogo Marques | 2016 |
| Writing under Constraint of the Regime of Computation | Manuel Portela | 2018 |
