| Neo-Baroque aesthetics and contemporary entertainment | Angela Ndalianis |
| marbel + matrikel | Tone AvenstroupRobert Lippok |
| Time the Magician | Hazel SmithRoger Dean |
| The Lips Are Different | Hazel SmithRoger Dean |
| The Character Thinks Ahead | Hazel SmithRoger Dean |
| soundAFFECTs | Hazel SmithAnne BrewsterRoger Dean |
| Heimlich Unheimlich | Hazel SmithRoger DeanSieglinde Karl-Spence |
| Media Archeaology: Approaches, Applications, and Implications | |
| Hotel Minotauro | Domenico Chiappe |
| Digital Storytelling in Spanish: Narrative Techniques and Approaches | Julio Alejandro Perez |
| Amore di plastica: A survey on digital publishing in Italy | Daniele Giampà |
| Crónica de Viaje | Jorge Carrion |
| Ishmael | Jordan Magnuson |
| Making PIE: Closing the gap between story and experience | Dene Grigar |
| Object/Poems: Alison Knowles’s Feminist Archite(x)ture | Nicole L. Woods |
| TOPO_Trajectoires 20 ans de présence en art et littératures numériques | Michel LefebvreEva Quintas |
| Rolled Hem or Nadine | Christy Sheffield Sanford |
| Fractalize 1: I've loved you from afar | Tony Vieira |
| A framework for developing multi-modal media-spaces using AI techniques | Steve DipaolaMily Mumford |
| Interview with Christine Wilks | Christine Wilks |
