| Straight quotes, square brackets: Page-based poetics inflected with the syntax and grammar of code languages | J. R. Carpenter |
| A Platform Poetics: Computational Art, Material and Formal Specificities, and 101 BASIC Poems | Nick Montfort |
| Subject-making and aesthetics of data practices | Olga Goriunova |
| Feeling without Touching | |
| Creating Story Instruments with Stepworks 2 | |
| Thoreau’s Radicle Empiricism: Arboreal Encounters and the Posthuman Forest | Thomas W. Howard |
| Textual entanglements & entangled texts: On relationality and narrative | Dana Bönisch |
| Thinking Through the Digital | |
| Differentials: Poetry, Poetics, Pedagogy | Marjorie Perloff |
| Reading the Ethics and Poetics of the Digital through John Cayley’s The Listeners | Laura Okkema |
| Reading Project: A Collaborative Analysis of William Poundstone’s Project for Tachistoscope | Jessica PressmanMark C. MarinoJeremy Douglass |
| An Ocean of Static | J. R. Carpenter |
| Electronic Pies in the Poetry Skies | Charles Bernstein |
| News Wheel Artist Talk | Jody Zellen |
| News Wheel | Jody Zellen |
| The Poets' Dream Database | Rachael Katz |
| "Jailbreaking the Global Mnemotechnical System: Electropoetics as Resistance" | Davin Heckman |
| Toward. Some. Air. | |
| Examining the Role of Micronarrative in Commercial Videogames, Art Games and Interactive Narrative | Natalie Funk |
| Pedestrionics: Meme Culture, Alienation Capital, and Gestic Play | Talan Memmott |
