| English Versification for the Billion: Translating the Early Latin Poetry Generator "Artificial Versifying" (1677) | Kaeden BergHenry KoellingJames Ryan |
| A Platform to Come - Transcreating Deleuze's Bergsonism | Brent Cox |
| Salon 2: March 2, 2020: A “reariting” centered on “Extra-terrestrial Rhetoric”, a multimedia text by Lily Robert-Foley. | Annie Abrahams |
| Salon 1: A Discussion of a Nika Skandiaka Poem and Reading "Electronically" | Kirill Azernyi |
| from estranger to e-stranger | Annie Abrahams |
| White-Faced Bromeliads on 20 Hectares | Loss Pequeño Glazier |
| Dissecting Characters: A Typology of Chinese Characters in Text-based Playable Media | Yue-Jin Ho |
| Translating Electronic Literature: A Few Conclusion, Methodologies and Insights | María MencíaJohn CayleyArnaud RegnauldSøren Bro PoldGabriel Tremblay-Gaudette |
| Se souvenir des morts | John F. Barber |
| Renderings (poster) | Piotr Marecki |
| Przekład konceptualny | Piotr MareckiAleksandra Małecka |
| Nick Montfort’s World Clock and its Polish translation Zegar światowy – a case study | Piotr MareckiAleksandra Małecka |
| Renderings: Translating literary works in the digital age | Piotr MareckiNick Montfort |
| Back to the Book: Tempest and Funkhouser’s Retro Translations | Jeneen Naji |
| A Brief History of Loss | David Hall |
| Translating the Untranslatable | Penny Florence |
| Translations - Translating, Transducing, Transcoding | |
| Algorithmic Adaptations – Writing With and Against the Intelligent Machine | Otso Huopaniemi |
| Sample Automatic Poem | Félix Remírez |
| Garaż w Tokio | Scott Rettberg |
